Bill Mullen, a fashion stylist and illustrator, wants you to know that he used to wear a belt made out of teeth, skulls on every finger and cataracts of crosses, his exotic turnout once spurring a stranger to bellow, “Go for it, space monkey, go for it.”

Solange Knowles is touting “Metatronia,” an architecturally inspired performance piece conceived to explore the relationship of movement and architecture. “It’s been a dream,” she confides, “to build modular sculptures that can tour, interact, and engage with the public.”