One of our most devastating modern day ailments is the belief that speed is the penultimate determinant of success. How fast we build a company, how fast (or cheap) we can do something, and how quickly we can publish something all come to mind. Being first has its merits but, in most cases, you can boil it down to nothing more than a title of quickness rather than longevity or quality.
Recently, I’ve felt increasingly uncomfortable entering come-one-come-all “open” spaces where the idea of uncertain outcomes and interactions (but ostensibly promoted as dynamic and spontaneous) is built into the experience.
My joie de vivre (enjoyment of life) was missing. I could probably extrapolate this sentiment onto many of us, who have been battered by so many things out of our control ranging from political disarray to the invisible forces of COVID which have pushed us to change our behaviors. For me, I often counted myself as a person of limitless inspiration and grew worried about suddenly being lost at sea.
Momentum is such an important yet often underappreciated part of starting and seeing anything through. It provides us with this inexplicable energy and excitement that pushes aside limitations and (un)known difficulties. I’ve stopped everything to pursue something at any given moment, thinking “this is it, this is the best fucking idea ever!!!” A few weeks later, it would turn out that it wasn’t the best idea ever. The idea in question had been crumpled up and thrown to the side, alongside a proverbial overflowing trash can of crumpled up sheets of paper.
Charis and Eugene talk at length about streetwear brand Chinatown Market deciding to rename themselves. This comes in response to people in the Asian American community expressing their concerns with the use of the name. Eugene and Charis discuss this situation in light of the current context of increased anti-Asian racism in North America as well as discussing whether personal wardrobes should carry sentimental value.
Eugene and Charis discuss Cathie Wood’s perfect content strategy for the portfolio of ETFs she runs at ARK Invest. They also talk about A.D. Carson, a hip-hop professor, and his thinking behind getting his rap album peer-reviewed and published by an academic press.
Charis and Eugene talk about what the pricing of the Hermès Birkin bag teaches us about setting prices according to the value in stories. They also discuss Alexi McCammond’s hiring and firing from Teen Vogue as the Editor-in-Chief in relation to systemic problems within companies and cancel culture.
Charis and Eugene talk about how museum gift shops decide what to sell. They also discuss what it means to share authentically with audiences and the wisdom in disconnecting what we share on the Internet from our physical selves.
Charis and Eugene talk about worldbuilding as a visionary, collaborative practice as described by Ryan Madson in Strelka Mag—Wakanda being an example of worldbuilding. They also discuss NFTs: what they are, what the possibilities could be, what they hype is about.
Charis and Eugene discuss how music is a crucial part of the continued growth of the creator economy. They also talk about MetaHuman Creator, a new browser-based app released by Epic Games that allows anyone to build digital humans quickly via Unreal Engine.
Charis and Eugene talk about luxury’s involvement in resell and how that will impact the fashion resell and retail markets. They also discuss Twitter’s flaws and whether a complete overhaul is necessary and good for everyone.
Charis and Eugene talk about what the Dunning-Kruger Effect is (a supposed bias in our thinking regarding gauging competency), whether it’s real or not, and what our tendency to believe in it means about us. They also discuss why editorial platforms will dominate retail in the long term.
Charis and Eugene discuss how food delivery apps are rooted in a human desire for convenience and contributing to destroying restaurants. They also talk about a new book coming out by David Yi titled “Pretty Boys” and the history of masculinity.