Eugene and Charis discuss an essay written by Paul Jun, “The Four Dirty C-Words of the Internet”, and breakdown the usage of the words content, culture, community, and creator. They also talk about memes as shared language and the conduit through which beliefs are transmitted.
Charis and Eugene talk about the global appeal of Squid Game and the possibility of supposedly niche cultural entertainment going viral. They also discuss the importance of Frances Haugen, the latest Facebook whistleblower, coming forward to testify about the need for social media platform regulations.
Eugene and Charis discuss Star Atlas, a space-fantasy RPG built on the Solana blockchain, that indicates the promising possibilities of funding game development through digital asset ownership. They also talk about the prevalence of captions on TikTok and how the use of captions signals considerations of design and inclusion.
Charis and Eugene talk about the Comme des Garçons and Dover Street Market brand-development division called Dover Street Market Paris that is similar to an incubator for emerging brands. They also discuss digital fashion as seen in how Farfetch recently seeded influencers their latest lines of clothing via digital fashion items.
Charis and Eugene talk about a single topic inspired by “Nike’s End of Men” by Ethan Strauss. Their conversation covers a shift in Nike’s values (whether internal or what they project to the public), target audience, and marketing strategies.
Eugene and Charis talk about the illusory nature of tech solutions for the climate crisis as well as personal responsibility in the face of it. They also discuss the artistic merit of the release of Kanye West’s DONDA.
Eugene and Charis discuss “Ghosts” by Vauhini Vara, a creative writing piece written with the assistance of the language AI GPT-3 (Generative Pre-Trained Transformer 3). They also talk about sexism and double standards in sports as seen in recent discussions around uniform requirements in women’s sports.